Wednesday, 21 May 2014
Friday, 16 May 2014
Charcoal Portraits
Today we watched a video of a charcoal portrait being drawn, we were asking to research some of the key points. To the left is a portrait of Gandalf put together with charcoal. when you make one of these you can put charcoal dust on the page first and move it around with a shamy cloth, make sure you can see the lightness and darkness of the photo or object you chose to do. Make notes of the dark and light spaces, or as the lady in the video we watched today said "go into photocopy mode" and then you can really pick out the spaces. Another important thing to do is not to think about symbols, but to think about eyes, nose and the mouth. When you think its good to go or you maybe need to change something you can stand back and check it out for any changes.
Today we watched a video of a charcoal portrait being drawn, we were asking to research some of the key points. To the left is a portrait of Gandalf put together with charcoal. when you make one of these you can put charcoal dust on the page first and move it around with a shamy cloth, make sure you can see the lightness and darkness of the photo or object you chose to do. Make notes of the dark and light spaces, or as the lady in the video we watched today said "go into photocopy mode" and then you can really pick out the spaces. Another important thing to do is not to think about symbols, but to think about eyes, nose and the mouth. When you think its good to go or you maybe need to change something you can stand back and check it out for any changes.
Friday, 9 May 2014
Monday, 14 April 2014
Pablo Picasso arrived in Paris just before he turned 20, and his beginnings were not easy. He was alone and had economic difficulties, Pablo began to depict the world which he lived in. He created a melancholic universe of blue tones. This was the beginning of his so called blue period.
He uses blue as a sad colour because his life at theses stages are rough. The blue he is using is a dull blue which makes everything darker and you can see the sadness in his work.
He uses blue as a sad colour because his life at theses stages are rough. The blue he is using is a dull blue which makes everything darker and you can see the sadness in his work.
Monday, 7 April 2014
Tuesday, 1 April 2014
Wednesday, 26 February 2014
When first started talking about blind contour drawings i didn't have any idea of what they were. The first time we did one i constantly looked down at the paper when we weren't supposed to. My drawing was way out of proportion and no where near life size. ill get better with more practice and time.
Wednesday, 12 February 2014
Greek sculpture, Archaic Classical and Hellenistic
This is an example of an Archaic Greek sculpture because the face is masked, it has little muscle tone and his feet are slightly in motion.
This is an example of a Classical Greek
sculpture because his arms are free from his body and he is more toned and in motion.
This is an example of a Hellenistic Greek sculpture because his body has extreme motion and tone and his face is highly detailed.
This is an example of a Classical Greeksculpture because his arms are free from his body and he is more toned and in motion.
This is an example of a Hellenistic Greek sculpture because his body has extreme motion and tone and his face is highly detailed.
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